Good porn for women: it exists!
Journalists, especially those not familiar with the adult industry, can sometimes make sweeping statements that aren’t exactly correct. For example, it is common for a mainstream journalist or blogger to off-handedly lament that there is no porn out there for women.
That’s what happened when Nikki Gloudeman wrote an article at Ravishly arguing that she couldn’t find any tasteful, well-acted porn for women. While she conceded that feminist porn does exist, she insisted that all of it was “decidedly low-budget and short on a truly compelling plotline.”
This isn’t true, and readers and porn filmmakers alike rushed in with evidence to the contrary. A month later, Gloudeman wrote a follow-up post. “I was wrong. Very wrong. Shamefully wrong,” she wrote. She was sent a box of DVDs from Jacky St. James, director of New Sensations’ Romance Series.
I immediately curled up on the couch to watch a rom-com sex romp called The Friend Zone. And, well . . . it was good. Like, really good. It had legitimate production values. The acting ranged from just fine to truly impressive. The script was funnier than most mainstream rom-coms in theaters today (Hollywood producers, take note). And . . . what’s this? Is that a sex scene involving people who actually seem to care about one another? Is that woman being respected as she’s being pleasured? Is that a condom I see?
The experience was, in a word, a revelation, satisfying in every desired way.
With this new world opened up, Gloudemen set out to interview several women doing great things within the adult industry. She talked to two producers of adult DVDs, Erika Lust and Jacky St. James, and two owners of erotic websites, Angie Rowntree of Sssh.com and Anna of FrolicMe.com.
Rowntree began in the mid-’90s, when everyone told her there was no market for women’s porn, and she has been steadily proving them wrong ever since. Anna started with an erotic blog, which then morphed into writing stories and making films with the same sensual aesthetic. Lust studied political science and took film directing classes before shooting her first erotic short, which was so popular it changed the course of her life. Jacky St. James, an avid porn consumer, happened upon a script-writing contest for New Sensations’ Romance Series. The company loved her submission, and she soon quit her corporate job to write and direct full-time.
Ultimately, all four women were dissatisfied with some facet of the erotic material they consumed (as Erika Lust put it: “when I first watched porn the feminist in me felt cheated, the activist in me felt mad and the sexual me felt . . . aroused”), and that is part of what drives them to make something different.
Gloudemen asked each of them about their personal histories with porn, their goals and ideals with their work, what they think about the word “porn,” and where feminism fits in with what they do. The interview is full of amazing and thoughtful answers, but Rowntree’s response to the question “why is it important for women to have access to adult films that resonate with them?” is particularly insightful:
One of the criticisms I hear the most about the porn industry is that its products objectify women and present us in a very unflattering way—and that’s true of a lot of porn. To me, though, the answer isn’t to protest the porn industry, try to get porn censored, or even to spend a lot of time and energy trying to convince people that porn is bad. To me, the answer is to make better porn. The answer is to make porn that does present women in a good light, that does depict true intimacy and that does emphasize mutual pleasure, instead of reducing the women it depicts to being mere objects of men’s pleasure.
All four women urged readers to always keep looking if they can’t find porn that appeals to them. Go beyond tube sites and rudimentary Google searches. Peruse the nominees and winners of the Feminist Porn Awards. Visit sex shops and ask questions. It’s out there, and it’s really well-done — you just have to dig a little bit deeper.