Browsing posts tagged with Crash Pad Series
Dec
17

Thrills and mundanities on a queer porn set

 Nic Switch and Iona Grace with Shine Louise HoustonWhat goes on behind the scenes of a queer feminist porn shoot? According to Anna Pulley, writing for Alternet, performers ogle cat photos, knit scarves in the colors of the bisexual flag, and shoot the breeze about fisting censorship and breast milk pumping. The kitchen is well-stocked with coffee, fruit, and chips, and Feminist Porn Awards line the walls.

Scenes for queer porn site Crash Pad Series are shot in an unassuming neighborhood in San Francisco by filmmaker and director Shine Louise Houston, production assistant Jiz Lee, videographer Alexa Shae, and photographer Tristan Crane. The room is equipped with a “voyeur cam,” which allows members of the site to watch the scene in real time. The best scenes are compiled for DVD releases.

Anna Pulley visited the set to watch two scenes unfold: Nic Switch and Iona Grace, followed by Ray and Maggie Mayhem. As is always the case with Crash Pad scenes, performers first discussed their vision for the scene with Houston. Performers’ desires and limits are steadfastly respected and followed; the only true rules are no blood, no poop, and… no glitter. (It’s far too difficult to clean up!).

Then, the scene began. Pulley writes,

Since the room was small and crowded, I tried to flatten myself against the wall as much as possible, but even then I could’ve reached out and touched the performers, they were so close. I briefly considered the possibility of being in the line of fire should ejaculation occur, but mostly pushed that thought out of my mind and enjoyed my front-row seat. Luckily, I remained dry through both shoots…at least outwardly.

As a feminist, I’ve found there’s often a negotiation that occurs when watching most porn, especially if it involves any kind of heavy aggression or degradation. Because, let’s face it, our desires are hardly ever politically correct. When a woman in porn is tied up and being called a dirty whore, the last thing you want to be thinking is, “Does liking this make me a bad person?” With “Crash Pad,” there was no such negotiation. The performers genuinely seemed to be enjoying themselves. Nothing about the sex seemed contrived or for the benefit of an audience. Pleasure was the central tenet, and it worked. It was hot.

When all was said and done, several hours later, Pulley had witnessed a litany of sex acts, from strap-on play to Magic Wand buzzing to squirting — and a whole bunch of intense orgasms. Pulley commented on the large wet spot left on the bed afterward; her fascination was met with “oh, that’s nothing.”

After the scene, Houston interviewed the performers again to debrief. Grace explained why she does porn: it’s way more fun than being a cashier. Switch was more philosophical: she enjoys learning about herself and representing the queer community.

Pulley left the set with an armful of queer porn DVDs and a new outlook on feminist porn. She concluded, “it was certainly refreshing to witness Houston’s work, and to experience the kind of frank, pleasure-focused, authentic sex that rarely exists outside the mainstream.” Amen.

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